Found: 33 thesis records, listed in most-recent order. Click on a thesis's title to display full details.
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Karishmeh Felfeli-Crawford, Music Analysis: Erasure (1985-2020) and Beyond (PhD, University College Cork, 2021).  Thesis submission ID 904, last updated
 

Deirdre Ní Chonghaile, ‘ag teacht le cuan’: Irish traditional music and the Aran Islands (PhD, University College Cork, 2011).  Thesis submission ID 133, last updated
 

Rory James Corbett, A Self-Reflexive Clawhammer Banjo-ology (MA, University College Cork, 2018).  Thesis submission ID 894, last updated
 

Donncha Sean O Maidin, A programmer's environment for music analysis (PhD, University College Cork, 1995).  Thesis submission ID 180, last updated
 

William Brazil, Popular music - a primary factor in cultural/national identity (MA, University College Cork, 1995).  Thesis submission ID 177, last updated
 

Bridget Knowles, The piano concertos of J.B. Cramer with editions of Concerto no.1 op.10 and Concerto No.6 op.51 (MA, University College Cork, 1993).  Thesis submission ID 856, last updated
 

Mark Bollard, Process and Transformation: Creative Applications of Digital Exemplars in the Music of Aloys Fleischmann (1910–1992) (MA, Dundalk Institute of Technology, 2016).  Thesis submission ID 786, last updated
 

Alan Dunne, A portfolio of six original compositions and detailed analysis (MA, Waterford Institute of Technology, 2012).  Thesis submission ID 724, last updated
 

Breda McKinney, Song of Eoghan: The tradition of singing in Inishowen, Co. Donegal (MPhil, University College Cork, 2004).  Thesis submission ID 597, last updated
 

Christopher MacAuliffe, The forgotten voice: The Richard Henebry (1863-1916) collection of Irish music (MA, Waterford Institute of Technology, 2012).  Thesis submission ID 589, last updated
 

James Millea, Inglourious Intertextuality: Music and Meaning in the Soundtrack of Quentin Tarantino's "Inglourious Basterds" (MA, University College Cork, 2012).  Thesis submission ID 465, last updated
 

David Kearney, Towards a regional understanding of Irish traditional music (PhD, University College Cork, 2010).  Thesis submission ID 407, last updated
 

Jessica Cawley, The Development of Musicality in Irish Traditional Music: An Ethnography on a Community of Practice (PhD, University College Cork, in progress).  Thesis submission ID 833, last updated
 

Orlene Denice McMahon, Challenging Conventions: An Audiovisual Collaboration from the 'First Wave' of Irish Film (MA, University College Cork, 2006).  Thesis submission ID 362, last updated
 

Michelle Finnerty, Connecting Community and Curriculum: The Role of Music in Primary Level Education in Ireland (MPhil, University College Cork, 2008).  Thesis submission ID 324, last updated
 

Louise O Riordan, Music and Sound in the films of David Lynch (PhD, University College Cork, in progress).  Thesis submission ID 321, last updated
 

Peter J D Scott, The Life and Works of William Damon, Queen’s Musician (MA, University College Cork, 1986).  Thesis submission ID 316, last updated
 

Claire Launchbury, Cross-fertilisation of genre in Guillaume de Machaut (MPhil, University College Cork, 1999).  Thesis submission ID 232, last updated
 

Declan Whitston, The history of the saxophone with an analysis of selected music by Escudie, Glazounov, Creston and Dwyer (MA, University College Cork, 1996).  Thesis submission ID 181, last updated
 

James L. Evans, The choral music of Petr Eben (MA, University College Cork, 1995).  Thesis submission ID 179, last updated
 

Philomena Duffy, Jacques Ibert: un chevalier errant (MA, University College Cork, 1995).  Thesis submission ID 178, last updated
 

Marion Leen, Capriani Potter's Shakespeare Overtures (MA, University College Cork, 1994).  Thesis submission ID 176, last updated
 

Susan Crummy, A critical edition with commentary of the trio sonatas of John Ravenscroft (MA, University College Cork, 1994).  Thesis submission ID 175, last updated
 

Eileen O’Brien, A critical edition with a commentary of 6 Ouvertures by Francesco maria Veracini (MA, University College Cork, 1993).  Thesis submission ID 174, last updated
 

Meabh Ni Fhuarthain, O Byrne, Davitt and Copley Records: a window on Irish music recording in the USA 1900-1965 (MA, University College Cork, 1993).  Thesis submission ID 173, last updated